Constructing Collective Identities: A Study of Wind Bands in Sincelejo, Colombia

Abstract

Wind bands play a fundamental role in the sonorous expression of the Colombian Caribbean, especially in the departments of Sucre and some municipalities of Córdoba, Bolívar and Atlántico. These groups, mostly made up of men, incorporate elements in their lyrics that reflect the rich cultural life of these territories. Using traditional wind instruments and metal percussion, they interpret rhythms such as the Fandango, Porro, Puya and Mapalé. In this context, music becomes a prism through which we can observe the life of these communities. It allows us to understand the social processes that influence their cultural identity, their social interaction, their collective memory and their individual perspectives. In addition, these bands play a crucial role in the formation of collective identities within the population, fostering the creation of community ties. On the other hand, music is also presented as an economic activity for those who consider it a priority in the search for income. This implies recognizing the efforts and conditions of social and labor recognition that
these groups face in order to remain in the music market and generate income that allows them to provide sustainability to both the group in general and the members of their families. In conclusion, wind bands not only enrich the sound culture of the Colombian Caribbean, but also contribute to the social and economic fabric of these communities.